CD Review: Roscoe Mitchell - Sound

Updated: Jan 3, 2019

By Hrayr Attarian



Roscoe Mitchell Sound


Roscoe Mitchell – alto saxophone, clarinet, flute, recorder

Lester Bowie – trumpet, flugelhorn, harmonica

Malachi Favors – bass

Maurice McIntyre – tenor saxophone

Lester Lashley – trombone, cello

Alvin Fielder – percussion


Delmark Records



Woodwind player, and co-founder of the Association for the Advancement of Creative Musicians (AACM), Roscoe Mitchell’s landmark 1966 Sound remains one of the essential and transformative work in music in general and improvised music in particular. In 1996 Delmark Records produced a remastered version, with alternate takes, on CD and it reissued it again in 2018.




It is almost a cliché, although completely accurate, to point out that Sound has not “aged”. Its creative impact is still fresh and raw over half a century later. Historically it was the first AACM recording and one on which Mitchell performed with two of his future bandmates in the Art Ensemble of Chicago, trumpeter Lester Bowie and bassist Malachi Favors. Apart from this, rather concrete, reason the album’s importance lies in its revolutionary approach to extemporization paving the way for many others that followed Mitchell and his sextet on this path.


The exploration of silent pauses and unorthodox tonal colors together with the unhurried pace of the improvisations mark the title track. The stylistic abstractness was novel in 1966 and it remains innovative to this day as its freshness endures. The spontaneous, stream of consciousness “soliloquys” that waver between the fiery and dissonant to melancholic and haunting stimulate and move in a singular way. They are contemplative and provocative as well as passionate with a visceral punch.



Another unique feature is the utilization of small instruments that became a hallmark of Art Ensemble of Chicago. This is best heard on the whimsical “Little Suite” with the wail of harmonica, rustle of the various percussion pieces and the chime of bells. Together with the utilization of instrumentation rare in jazz like cello and recorder the group fashioned a groundbreaking and original collective voice that has become timeless.


With Sound Mitchell created an electrifying and vibrant masterpiece that, although vastly different than the music the New York Avant Garde was releasing, is no less free and equally compelling.


CONTACT US

TEL: 773-927-0396 / INFO@CHICAGOJAZZ.COM
1965 PERSHING ROAD, CHICAGO, IL 60609

©2020 by CHICAGO JAZZ MAGAZINE